Marker.

Hi all,

This weekend saw the final weekend of the first year of my Scriptwriting MA. We met Bethan Marlow, who spoke to us about verbatim theatre and an exciting sounding Welsh language verbatim play she wrote called “Skint”. She also talked to us about multi platform media, which as a concept just excites the crap out of me. Currently scheming away regarding the best way of starting a multi platform project, I have one or two fun ideas…

We then met Kate Crowther, who produced the feature film Third Star, which featured Benedict Cumberbatch in the lead role. Wonderful film for a start and a really frank chat about how tricky it is to get things into development and then made!

Our assignment for the weekend was to write a 10 minute piece set in part at Dare Country Park, where the weekend took place.

I wrote a short film entitled “Pass me by”, which I passed on to a film maker friend of mine, Michael O Connor. He directed the two short films on my work samples page. So he really liked the script and we’re going to film it in August/September sort of time, which is very exciting indeed!

It’s a romantic comedy superhero film, which should be a very fun challenge to achieve. Once we’re further into production I’ll have more details, but this is officially my first short film that I’ve written as a short film (the other two pieces Mike filmed were adapted from theatre pieces of mine), so I’m very much looking forward to it!

The first year of my MA has just flown by. It’s far too short a time to get to know such a wonderful group of people, but it’s been wonderful to share the journey so far with them.

Steve

Two life changing films and a resurrection later…

Hi all,

So In the Spirit of Things went down pretty well at the Gwent Festival of one act plays, it won best set design, best youth performer and best youth performance, which I’m very pleased with! Hoping to work with PNG again, perhaps in a more full length and less one act based capacity. There are rumours In the Spirit of Things may even be performed again. I’ll wait and see on that one.

The closing dates are rushing by for script submissions I’ve made, so I expect to hear about those in a couple of months.

Continuing in this theme of waiting, it’s only fitting that I mention two films I’ve been waiting for that did not disappoint.

The Avengers, first of all. I refuse to call it Avengers Assemble although I sort of just did. Joss Whedon took what could have been a massively unfocussed sprawling mess and told a tightly plotted story that gave every single major character a moment to shine. Some of them got several moments to shine and it filled me with nothing but glad tidings when I heard Mark Ruffalo has signed a six picture deal with Marvel. Such a wonderfully measured portrayal of Bruce Banner.

In short, this was the best superhero film I’ve ever seen. Superheroes are the mythology of our age, and it’s fairly fitting that I am such a huge fan when I grew up fanatically enjoying Greek Mythology, and the allegorical optimism that superheroes unashamedly brand in technicolour across our cinema screens is something to be celebrated and applauded rather than dismissed as merely popcorn fodder.

So it seems pretty fitting to me that The Avengers has, I believe, set the standard for superhero films for the next few decades. That’s the one to beat everyone, and it won’t be easy.

The second film was The Cabin in the Woods. Co written by Joss Whedon and Drew Goddard. Those who are following me on Twitter will note my relentless rambling about the quality of this film and my purchasing-of-the-screenplay-at-the-earliest-opportunity-and-then-devouring-it-with-my-eyes-very-quickly-indeed.

Again, this has set the standard for Horror movies. I can’t rant too much without giving plot details away, but know as little as possible about this film before you see it, because when the concept kicks in at the third act, you’ll be very surprised and hopefully more than a little gobsmacked.

I’ve been to see both of these films twice at the cinema (a rarity for me) and I cannot recommend them highly enough.

The resurrection; Just before I left Coventry I started a writer’s collective, affectionately named “The Super Awesome Writer’s Collective”, with my good friends Stuart Boland and Nick Clarke, a couple of budding writers and fellow geeks I met during plays I was in at Coventry University.

With the best intentions ever the group started, we sent each other some work, we parted ways, the group fizzled out. Then these two fine gentlemen came to visit me for a weekend, and we resolved to get the collective going again. We decided to get to know each other’s writing through a story relay. I wrote the opening page of a screenplay, passed it on to Nick, who passed it on to Stu, and so on.

The result so far is so compelling I find myself thinking about it and the ideas we’re coming up with throughout the day, and considering this began as a writing exercise I expect this to become a piece of work the three of us will be very proud of, and very eager to get out there in whatever way we can.

And if I didn’t feel treated enough, this weekend I’ll be heading off with my fellow MA students (or should I say MAvengers…?) to a country park in Aberdare to spend two and a half days being writers.

Seriously, I sometimes can’t believe I get to live this life.

Steve

When shall this play run for three nights again…?

Hi all,

So the three night run of In the Spirit of Things is done. The cast and design team at Playgoers New Generation definitely did me proud, as did James Reynolds who did a magnificent job directing. Such a pleasure to work with a director that understands what I was trying to achieve so intuitively.

However there is still a chance to see it if you haven’t already! It’s being performed on Friday April 27th at the Festival Of One Act Plays – Six of the Best plays in Gwent!! so if you missed the run at the Dolman, you’re being very spoiled…

Thanks to all that came to the run at the Dolman, I trust you were given a good night! It’s always an absolute joy and privilege to see my work performed, and I know it always will be. And for the material to be treated so respectfully and diligently makes my job as a writer a wonderfully easy one!

It’s been a great learning experience for me, and a very eye opening one. The audience responded very differently each night and when they responded most positively the best performance was drawn out of the cast.

Which seems pretty obvious when you think about it, but I genuinely hadn’t drawn such a distinct correlation between the audience response and what goes on onstage.

I’ve also realised where as a writer I’ve let the text down, and there will definitely be a longer, more detailed version of In the Spirit of Things doing the rounds very soon. It seemed to be over far too quickly and there seemed to me to be some scenes missing. And they were missing because I didn’t write them.

So now I will. Such is the wonderfully alive nature of theatre. If this had been a televised drama I would have had to wait for years for the hubbub to die down enough for a remake to even be considered, but I could improve In the Spirit of Things and put it on later this year.

It remains to be seen if it’ll be full length or just a longer one act play, we’ll see how wide Incorporeal Incorporated can fling its doors! I love these characters far too much to give them anything but what they deserve.

Steve

In the Spirit of Things Information of Things

Hi all,

Here’s the info for anyone planning on attending In the Spirit of Things in Newport:

Playgoers New Generation and Dolman Youth Theatre
Present

Blame it on the Bard

(an evening of two one act plays)

April 12/13/14 at the Dolman Theatre Studio 19:15pm tickets £5 available on the door

(limited seating so please arrive early to avoid disappointment)

PNG 
In the Spirit of Things by Steven Quantick 
It’s business unusual at Incorporeal incorporated.
Join Starla the receptionist, the three witches from Macbeth and Hamlets father Kenneth as they provide supernatural guidance to the mortal realm, and the consequences that causes when things go wrong

DYT 
Bottom’s Dream by Alan Poole 
Who really dreamt the Midsummer Night’s Dream?
What were the reactions of the mechanical’s wives and mothers to their play-acting activities, and the magic that followed?

What did the women think of the play?
Bottom’s Dream shows you the classic play from the sidelines and the minor characters point of view

These productions are also part of the Gwent Festival of One Act Plays along with the No Holds Bard production ‘Poor Yorick’ by Phil Mansell And will be performed at Blackwood Little Theatre on the 27th and 28th of April*(Tickets £7, available for this event athttp://www.blackwoodlt.org.uk/ or 07930599317)

*In the Spirit of things and Poor Yorick on 27th and Bottom’s Dream on the 28th

Very much looking forward to seeing this play performed. I saw the full cast for the first time the other week and I am continually impressed. Some creases to iron out, there always will be, but the privilege of seeing such capable actors performing my work is worth it!

So other stuff that’s going on;

In a week or so I’ll be hearing if my ten minute play Ceramic got into the Sherman Theatre’s ScriptSlam competition. Here’s hoping!

As eagle eyed readers will know I was planning some Easter video diaries this year to follow on from the Christmas ones. They’re all in my head, I know more or less how they go, but unfortunately ill health struck this week and I pretty much lost my voice and ability to think coherently, so the Easter video diaries will be appearing next year around Easter time.

Hope to see lots of you in Newport!

New monologue: “Speak to Me”

I’ve recorded a new monologue for my Youtube channel, it’s called “Speak to Me” and it was written for the Sam Slam event I performed at last year, an event to raise awareness and funds for the work of The Samaritans in Cardiff.

The theme was “Listening”, so I decided to write something about a man who avoids reality by not observing and listening to the signals in his own life that something is amiss. Enjoy!

The cure for writers block. (No, seriously.)

Hi all,

So I’ve found the cure for writer’s block. No big deal…

At least it works for me.

So  I needed to write a page of script as part of an assignment for my MA. Should be a lot of fun, it’s a story relay. I write page one, then two other writers finish it with page two and page three.

The problem was I didn’t have a single idea. Well I tell a lie, I had a big pile of cliches that bored me almost as soon as I thought of them. There was that flash in the pan “That’s a good idea!” moment, then the realisation that it’s probably not. Like the decision to have pudding after a monumentally large meal.

So I promised you a cure.

For me, it’s saturating myself with media. I had a wonderful day today, a rare opportunity to pretty much spend the entire day watching TV programmes (and one film), and by the end of the day I had an idea, I sat down and wrote the first page of the story relay in about twenty minutes.

Now the remarkable thing is the idea didn’t even have a passing resemblance to any of the media I watched today, it was simply watching things that inspire me creatively that did the job, that stirred the vat of my noggin and brought an idea to the surface.

One day this may not work as a cure, but for now I wholeheartedly recommend it. Inspiration doesn’t drop out of the air, at least not often, it’s born out of exposure to things that inspire us.

So if you think you’re suffering from writer’s block set aside some time to read, watch a whole TV series in one day, watch your bodyweight in films, go to the cinema or the theatre an inordinate amount. And let me know how it goes.

Happy writing!

P.S. If you’re curious the recipe for today’s cure was;

1x Episode of Being Human series 4

6x Episodes of Cougar Town season 1

6 x Episodes of The Inbetweeners

1x Feature length episode of South Park

1x The demented and incredibly clever feature film Oldboy

Words, words, words…

So I took part in a biomechanics workshop today with Claudio Laurini, and there’s far too much more to tell than the mere 140 characters Twitter affords me.

It was organised by the National Theatre Wales team and it was essentially a movement workshop. We looked at being deliberate and aware of our body’s movements, physically representing photographs, attaching intentions to every physical action…

Yes I was very, very self conscious quite a lot of the time, which is part of why I found today so fascinating. I think one of the reasons art makes us uncomfortable is that it confronts us with ourselves. If we’re uncomfortable with something, then we either run away or we confront why we’re uncomfortable with it.

I’ve got a form of dyslexia, and I realised that I rely very much on intellectualising and verbalising things. Physicalising doesn’t come naturally to me.

Words are absolutely precious to me in how I express myself, and the workshop stripped me of words, it stripped me of a character to play, I had to find everything I needed to perform in using my body.

Claudio is an extremely gifted and passionate communicator, and the spiritual philosophy of physical theatre is wonderful, truly wonderful. I used to feel that it was quite pretentious, only to discover that there’s a really visceral emotional expression that comes with it. Something authentic and vibrant.

There will always be a need for traditional theatre, and that’s where I feel at home. That is my home.

But there’s a lot traditional theatre has to learn from the intense emotion of physical theatre, about the subtleties of presenting narrative, about how powerfully expressive the physical body is as a tool in and of itself, without speaking words.

So am I giving up on words?

Never.

Will I keep exploring physical theatre?

Definitely.